SAL/ON

A Blog of Seattle Arts & Lectures

Lydia Ganz reads from a wood lectern, hair held back by a blue headband as she leans forward to look at her paper.

“Ode to Cinnamon,” by Lydia Ganz

Cinnamon O, cinnamon Soft but sharp quiet but demanding You are the tall red spruces old as time cutting the sky and stretching beyond You are clouds who knit together casting a blanket of gray swallo...

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Introductions: Richard Kenney

By Rebecca Hoogs, SAL Associate Director Twenty years ago this fall, I walked into the deep time of Richard Kenney’s classroom at the University of Washington. I was young and dumb—and by dumb I m...

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“My Island Tree,” by Margaret Dawson

It used to be A place of comfort Of freedom Of joy Then it changed Into A place of worry Of dread Of anxiety How can something so innocent Lead to changing the way I Think Feel Act This beautiful plac...

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“The F Train,” by Lucia Young

The F Train Maybe she didn’t get the job Maybe the hiring manager found her height overbearing, That she reeked of women who frighten men Maybe he caught sight of the pendant on the chain around her...

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5 Books Giving Us All the Fall Feels

By Rachel Bachler Trees turn, leaves crunch, night falls altogether at four in the afternoon, and the delightfully sudden fifty-degree drop in temperature entices even the grumpiest of sidewalk commut...

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More of a River

This essay is part of a series in which Poetry Northwest partners with Seattle Arts & Lectures to present reflections on visiting writers from SAL’s Poetry Series. At 7:30 p.m. on Thursday...

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“Dos-Minds,” by Daniel Chamale

Que significa ser bilingue A lot of people think, it can be easy La dificultad sigue Want to practice on a daily basis I just wanted to talk to them Nomas una conversación I want to hear their stori...

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