How does one recover from addiction without destroying the self-as-addict? Pilgrim Bell, Kaveh Akbar’s newest collection of poems, meditates on this question, taking readers on a spiritual journey through disavowal, divinity, and belonging.
With formal virtuosity and ruthless precision, Akbar’s brilliant poems unfold in the empty space where song lives, teasing the sacred out of silence and stillness.
With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection of poems, Pilgrim Bell, takes its readers on a spiritual journey of disavowal that asks, How does one recover from addiction without destroying the self-as-addict? If living justly in a nation that would see addiction erased is itself a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness.
Richly crafted and generous, the linguistic rigor of Pilgrim Bell is tuned to the register of this moment. As the swinging soul crashes into its limits, against the atrocities of the American empire and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.
Akbar is the author of Calling a Wolf a Wolf (Alice James Books, 2017; Penguin UK, 2018). He is also the author of a chapbook, Portrait of the Alcoholic (Sibling Rivalry, 2017) and the recipient of the Levis Reading Prize, Pushcart Prize, Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, and the Lucille Medwick Memorial Award from the Poetry Society of America. Born in Tehran, Iran, he teaches at Purdue University and in the low-residency MFA programs at Randolph College and Warren Wilson.
Akbar is also the founder of Divedapper, a home for dialogues with the most vital voices in American poetry. With Sarah Kay and Claire Schwartz, he writes a weekly column for Paris Review called “Poetry RX.” Previously, he ran The Quirk, a for-charity print literary journal. He served as Poetry Editor for BOOTH and Book Reviews Editor for Southeast Review. Along with Gabrielle Calvocoressi, francine j. harris, and Jonathan Farmer, he starred on All Up in Your Ears, a monthly poetry podcast. His poems appear in The New Yorker, Poetry, PBS NewsHour, The New Republic, Best American Poetry, the New York Times, and elsewhere.