A Blog of Seattle Arts & Lectures
By Katy Ellis, WITS Writer-in-Residence I have to admit revision has never been my strong point as a writer. Only in the last ten years have I truly grasped the fact that my second (or third or fourth...
Seattle poet and educator Quenton Baker, whose work focuses on anti-blackness and the afterlife of slavery, writes below on Tyehimba Jess’s Pulitzer Prize-winning collection Olio. Jess’s ...
By Peter Mountford, WITS Writer-in-Residence I have now entered my tenth year of teaching WITS, and I’m taking a look back. Specifically to my first residency at the TOPS school with teacher Lori Ei...
Pierre We realize perhaps we’ve been playing the waltz too slowly. We continue rapping our knuckles against the walls. Half of us learn how to dance, the rest of us learn how to cuff our jeans. Pier...
On February 7 at McCaw Hall, Gregory Orr—master of the personal lyric poem, and one of our greatest advocates for how the reading and writing of poetry can help us heal and live more fully—read f...
By Laura Gamache, WITS Writer-in-Residence The book said everything perishes The book said that’s why we sing -Gregory Orr Every WITS teaching residency has a beginning, middle and end, like the sto...
Mom, Today I was followed by every man who’s ever left us (again) Which is to say ghosts are hereditary Which is to ask who will my children carry in the echo of their ribcage? How much of me is...
We can think of many reasons to see the master of the short, personal lyric, Gregory Orr, at his Poetry Series event on Wednesday at McCaw’s Nesholm Family Lecture Hall—here are just five! Tickets...
By Imani Sims, WITS Writer-in-Residence It’s always an experiment when trying to engage young minds with new content. The haibun form allows for concrete examples while also allowing the freedom to ...
By Jeanine Walker, WITS Writer-in-Residence As a poet, I love to play with words. When writing or revising a poem, I can spend hours switching out a single word or phrase in an attempt to get the exac...