A Blog of Seattle Arts & Lectures
By Rebecca Hoogs, SAL Associate Director Born and raised in Seattle, Paisley Rekdal went to school at the University of Washington before continuing her studies at the University of Michigan and Unive...
By Ruth Dickey, SAL Executive Director In the story “The Husband Stitch,” Carmen Maria Machado tells a version of a story about a woman who cooks and eats the liver her husband has bought, and the...
This essay is part of a series in which Poetry Northwest partners with Seattle Arts & Lectures to present reflections on visiting writers from the SAL Poetry Series. At 7:30 p.m. on Thursday, ...
By Bianca Glinskas Carmen Maria Machado’s new work, In the Dream House, uses elements of creative nonfiction, fantasy, pulp fiction, and horror, and more. Each genre uses the capital ‘I’ as its ...
By Rachel Bachler Planet Money. For many Americans, this National Public Radio program is a household name. But for those who find themselves less familiar with its creator, Adam Davidson, let us intr...
By Akshaya Ajith, SAL Volunteer Even before the stage lights dimmed, the room was filled to the brim with pure excitement. There was not a shuffle or a cough, just a silent blanket of anticipation for...
By Bianca Glinskas As an emerging poet, I’ve been a bit clueless when it comes to considering how profoundly my writing process affects my work. I type in front of screens in noisy cafes. I am guilt...
By Ruth Dickey, SAL Executive Director I bet each one of you in this room remembers the first time that you fell in love with Lindy West’s writing.
By Rebecca Hoogs, SAL Associate Director Twenty-five years ago, I jumped into a pool in Switzerland and when I got out of the pool, I went about my business, i.e. my life for a while—maybe a half ho...
New York Times Op-Ed Columnist Nicolas Kristof grew up on a cherry farm in rural Yamhill, Oregon, and it’s there that he and Sheryl WuDunn, his wife and co-writer, return in their latest reporti...