Wendell Berry

Guy Mendes

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SAL Presents

Wendell Berry

Past Event: Tuesday, May 24, 2011

At Benaroya Hall — S. Mark Taper Foundation Auditorium

Co-Presented by North Cascades Institute. Sponsored by Reed, Longyear, Malnati & Ahrens, PLLC.
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Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish.

Berry first gained literary recognition as a poet. In volumes such as The Broken Ground,Openings: Poems, Farming: A Handbook, and The Country of Marriage, he wrote of the countryside, the turning of the seasons, the routines of the farm, the life of the family, and the spiritual aspects of the natural world. Reviewing Collected Poems, 1957-1982, New York Times Book Review contributor David Ray called Berry’s style “resonant” and “authentic,” and claimed that the poet “can be said to have returned American poetry to a Wordsworthian clarity of purpose…Many of Mr. Berry’s short poems are as fine as any written in our time.”

It is perhaps Berry’s essays that have brought him the broadest readership. In one of his most popular early collections, The Unsettling of America: Culture and Agriculture, he argues that agriculture is the foundation of America’s greater culture. He makes a strong case against the U.S. government’s agricultural policy, which promotes practices leading to overproduction, pollution, and soil erosion. Another essay collection, Recollected Essays, 1965-1980, has been compared by several critics to Henry David Thoreau’s Walden. 

In Sex, Economy, Freedom, and Community: Eight Essays, Berry continues to berate those who carelessly exploit the natural environment and damage the underlying moral fabric of communities.

Farming and community are central to Berry’s fiction as well as his poetry and essays. Most of his novels and short stories are set in the fictional Kentucky town of Port William. Like his real-life hometown, Port Royal, Port William is a long-established farming community situated near the confluence of the Ohio and Kentucky Rivers. In books such as Nathan Coulter, A Place on Earth, The Wild Birds, and Jayber Crow, Berry presents the lives of seven generations of farm families.

Born in Henry County, Kentucky in 1934, where the families of both of his parents farmed for five generations, Berry earned his Bachelor’s degree from the University of Kentucky in 1956, and his Master’s degree in 1957. He went on to attend Stanford University’s Creative Writing program as a Wallace Stegner fellow. He taught for many years at the University of Kentucky, but eventually resigned in favor of full-time farming. Berry has been the recipient of numerous awards and honors, including the Vachel Lindsay Prize for Poetry (1962), a Rockefeller Foundation Fellowship (1965), a National Institute of Arts and Letters award for writing (1971), the American Academy of Arts and Letters Jean Stein Award (1987), membership in the Fellowship of Southern Writers (1991), the Ingersoll Foundation’s T. S. Eliot Award (1994), the John Hay Award (1997), the Lyndhurst Prize (1997), and the Aitken-Taylor Award for Poetry from The Sewanee Review (1998). Berry’s latest works include The Mad Farmer Poems(2008) and Whitefoot (2009), which features illustrations by Davis Te Selle.  (Biography excerpted from The Poetry Foundation’s website).

Event Details

Benaroya Hall — S. Mark Taper Foundation Auditorium

200 University Street
Seattle, WA 98101

View directions.

Transportation & Parking

This event will be held in the S. Mark Taper Foundation Auditorium, the largest event space at Benaroya Hall. 

Benaroya Hall is located at 200 University Street, directly across Second Avenue from the Seattle Art Museum.

By Car

  • From Southbound I-5
    Take the Union Street exit (#165B). Continue onto Union Street and proceed approximately five blocks to Second Avenue. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5
    Exit left onto Seneca Street (exit #165). Proceed two blocks and turn right onto Fourth Avenue. Continue two blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5 via Westbound I-90
    Take the 2C exit for I-5 North. Follow signs for Madison Street/Convention Place and merge right onto Seventh Avenue. Turn left onto Madison Street. Proceed three blocks and turn right onto Fourth Avenue. Continue four blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.

By Public Transit (Bus & Light Rail)

Benaroya Hall is served by numerous bus routes. Digital reader boards along Third Avenue display real-time bus arrival information. For details and trip planning tools, call Metro Rider Information at 206.553.3000 (voice) or 206.684.1739 (TDD), or visit Metro online. The Downtown Seattle Transit Tunnel, served by light rail, has a stop just below the Hall (Symphony Station).

Parking

The 430-car underground garage at Benaroya Hall provides direct access from the enclosed parking area into the Hall via elevators leading to The Boeing Company Gallery. Enter the garage on Second Avenue, just south of Union Street. Maximum vehicle height is 6’8″. ChargePoint charging stations are available for electric vehicles. Visit the Benaroya Hall website for event pricing.

Parking is also available at:

  • The Cobb Building (enter on University Street between Third and Fourth avenues).
  • The Russell Investments Center (enter on Union Street between First and Second avenues).
  • There are many other garages within a one-block radius of Benaroya Hall, along with numerous on-street parking options.

Accessibility

Open Captioning is an option for people who have hearing loss, where a captioning screen displaying the words that are spoken or sung is placed on stage. This option is present at every event at Benaroya Hall in our 2021/22 Season.

Closed Captioning is an option for people who have hearing loss, where captioning displays the words that are spoken or sung at the bottom of the video during an online event. Captioning is available for all online events; click the “CC” button to view captions during the event.

Assistive Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Benaroya Hall has an infrared hearing system, which transmits sound by light beams. Headsets are available in The Boeing Company Gallery coat check and the Head Usher stations in both lobbies.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals for both in-person and online events. To make a request for interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10, or select “Sign Language Interpretation” from the Accessibility section during your ticket checkout process and we will contact you to confirm details. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Among other features, Benaroya Hall has designated parking spaces adjacent to elevators in their parking garage. Elevators with Braille signage go to all levels within the Hall. To reserve seating for a specific mobility concern, you may select “Wheelchair Accessible or Alternative Seating Options” during ticket checkout, and we will contact you to confirm details. For more details on their accessibility features, click here.

Guide and service dogs are welcome.

Gender neutral restrooms are available.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at boxoffice@lectures.org, or Tuesday-Friday, from 12 noon–5 p.m., at 206.621.2230×10.

For more accessibility information, please head to lectures.org/accessibility. If you would like to make accessibility arrangements you do not see listed here, please contact our box office or select “Other Accommodations” from the Accessibility section during your ticket checkout process, and we will contact you to confirm details.