Tracy Chevalier

Tracy Chevalier

Past Event: Wednesday, February 9, 2005

At Benaroya Hall — S. Mark Taper Foundation Auditorium

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Literary Arts

Sponsored by Gull Industries.

“Vermeer paintings are like a window,” Tracy Chevalier says, musing on the enduring fascination of the seventeenth-century painter. “Even though nothing…untoward is going on, you really feel like you are eavesdropping on a person.”

Much like Vermeer, Chevalier’s work gives readers a chance to eavesdrop on the lives of characters who range from artists and muses to suffragettes and grave-diggers. In the best-selling Girl with a Pearl Earring (2000), Chevalier was praised for her luminous portrayal of Griet, a servant in the house of Vermeer. The book was called “a wondrous, enthralling piece of work” and “triumphant.” A film adaptation of it was made in 2003. In her latest book, The Lady and the Unicorn (2003), Chevalier reveals a continuing fascination with visual imagery as she weaves a narrative that brings to life the passion and drama behind a set of mysterious, medieval tapestries.

Born in Washington, D.C., Chevalier dreamed from childhood of being a writer. “I wanted,” she says, “to be a part of the making of something I loved.” The author of four novels to date, she is currently doing research on the poet-painter William Blake. She received her B.A. from Oberlin College and an M.A. from University of East Anglia in England. She lives in London.

Excerpt from Girl with a Pearl Earring (2000)
“Look out the window.”

I looked out. It was a breezy day, with clouds disappearing behind the New Church tower.

“What color are those clouds?”

“Why, white, sir.”

He raised his eyebrows slightly. “Are they?”

I glanced at them. “And grey. Perhaps it will snow.”

“Come, Griet, you can do better than that. Think of your vegetables.”

“My vegetables, sir?”

He moved his head slightly. I was annoying him again. My jaw tightened.

“Think of how you separated the whites. Your turnips and your onions—are they the same white?”

Suddenly I understood. “No. The turnip has green in it, the onion yellow.”

“Exactly. Now, what colors do you see in the clouds?”

“There is some blue in them,” I said after studying them for a few minutes.

“And—yellow as well. And there is some green!” I became so excited I actually pointed. I had been looking at clouds all my life, but I felt as if I saw them for the first time at that moment.

He smiled. “You will find there is little pure white in clouds, yet people say they are white. Now do you understand why I do not need the blue yet?”

“Yes, sir.” I did not really understand, but did not want to admit it. I felt I almost knew.

When at last he began to add colors on top of the false colors, I saw what he meant. He painted a light blue over the girls’ skirt, and it became a blue through which bits of black could be seen, darker in the shadow of the table, lighter closer to the window. To the wall areas he added yellow ocher, through which some of the grey showed. It became a bright but not a white wall. When the light shone on the wall, I discovered, it was not white, but many colors.

The pitcher and basin were the most complicated—they became yellow, and brown, and green, and blue. They reflected the pattern of the rug, the girl’s bodice, the blue cloth draped over the chair—everything but their true silver color. And yes they looked as they should, like a pitcher and a basin.

After that I could not stop looking at things.

Selected WorkThe Lady and the Unicorn (2003)Falling Angels (2001)Girl with a Pearl Earring (2000)The Virgin Blue (1997)

LinksTracy Chevalier’s website

An interview with Tracy Chevalier

Review of Girl with a Pearl Earring

Event Details

Benaroya Hall — S. Mark Taper Foundation Auditorium

200 University Street
Seattle, WA 98101

View directions.

Transportation & Parking

This event will be held in the S. Mark Taper Foundation Auditorium, the largest event space at Benaroya Hall. 

Benaroya Hall is located at 200 University Street, directly across Second Avenue from the Seattle Art Museum. The public entrance to Benaroya Hall is along Third Avenue.

By Car

  • From Southbound I-5
    Take the Union Street exit (#165B). Continue onto Union Street and proceed approximately five blocks to Second Avenue. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5
    Exit left onto Seneca Street (exit #165). Proceed two blocks and turn right onto Fourth Avenue. Continue two blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5 via Westbound I-90
    Take the 2C exit for I-5 North. Follow signs for Madison Street/Convention Place and merge right onto Seventh Avenue. Turn left onto Madison Street. Proceed three blocks and turn right onto Fourth Avenue. Continue four blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.

By Public Transit (Bus & Light Rail)
Benaroya Hall is served by numerous bus routes. Digital reader boards along Third Avenue display real-time bus arrival information. For details and trip planning tools, call Metro Rider Information at 206.553.3000 (voice) or 206.684.1739 (TDD), or visit Metro online. The Downtown Seattle Transit Tunnel, served by light rail, has a stop just below the Hall (University Street Station).

The 430-car underground garage at Benaroya Hall provides direct access from the enclosed parking area into the Hall via elevators leading to The Boeing Company Gallery. Enter the garage on Second Avenue, just south of Union Street. Maximum vehicle height is 6’8″. Blink charging stations are available for electric vehicles. The event rate is $16.

Parking is also available at:

  • The Cobb Building (enter on University Street between Third and Fourth avenues).
  • The Russell Investments Center (enter on Union Street between First and Second avenues).
  • There are many other garages within a one-block radius of Benaroya Hall, along with numerous on-street parking options.


Open Captioning is an option for people who have hearing loss, where a captioning screen displaying the words that are spoken or sung is placed on stage. This option is present at every event at Benaroya Hall in our 2019/20 Season.

Assisted Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Benaroya Hall has an infrared hearing system, which transmits sound by light beams. Headsets are available in The Boeing Company Gallery coat check and the Head Usher stations in both lobbies.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals. To make a request for ASL interpretation, please contact us at or 206.621.2230×10. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Guide and service dogs are also welcome. Among other features, Benaroya Hall has designated parking spaces adjacent to elevators in their parking garage. Elevators with Braille signage go to all levels within the Hall. A unisex restroom is also available. For more details on their accessibility features, click here.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive.  Our Patron Services Manager is available at, or Monday-Thursday from 10:00am – 5:00pm, and Fridays from 10:00am – 1:00pm, at 206.621.2230×10.