Stephen Jay Gould
Literary Arts Icon

Literary Arts

Stephen Jay Gould

Past Event: Wednesday, October 3, 2001

At Benaroya Hall — S. Mark Taper Foundation Auditorium

Sponsored by Hoffman Construction Company of Washington.

Stephen Jay Gould was born in 1941 in New York City, the son of a court stenographer. On a trip to the American Museum of Natural History in Manhattan, Gould saw his first dinosaur, a twenty-foot-high tyrannosaurus. “As we stood in front of the beast,” he recounted, “a man sneezed; I gulped and prepared to utter my Sherma Yisrael. But the great animal stood immobile in all its bony grandeur, and as we left, I announced that I would be a paleontologist when I grew up.”

Since then Gould has become a world-renowned paleontologist and writer. For over thirty years, he wrote the column “This View of Life” for Natural History magazine, in which he demystified academic science for a widespread audience. His ability to make biology relevant to the “here and now” was paramount to his success and popular following. His 1980 book The Panda’s Thumb sold more than a million copies in North America alone. Gould explores topics which range from the paper wrapper of a drinking straw to a small tropical snail called the Cerion; he speaks as emphatically about Joe DiMaggio as he does about Darwin.

As a scholar, Gould developed and influenced crucial debates of the biological and geological sciences. In Wonderful Life (1989), he examined rare fossils found in the Canadian Rockies’ Burgess Shale region, arguing that these fossils represent the “road less taken” in the history of life. His book Questioning the Millennium (1997) discusses the human need to impose “arbitrary demarcations” upon the irregularities of the universe.

Through his research Gould became a leading thinker on theories of evolution, devoting much of his writing to his views on this topic. His theory of “Punctuated Equilibrium” showed that evolution does not have to proceed at a snail’s pace, but can occur relatively quickly when given the opportunity. For example, when the dinosaurs and most forms of life became extinct 65 million years ago, small, burrowing mammals survived and evolved into modern day mammals. Their evolution sped up because of that sudden event. He believed that evolution does not progress smoothly and gradually, but rather that it proceeds in fits and starts and is often determined by random, chance events.

Gould has written hundreds of essays, reviews, and articles. He was a dynamic lecturer and has been praised by Publishers Weekly as a writer who “artfully transports readers through the complex and enchanting realms of the natural world.” Gould served as Professor of Zoology and of Geology at Harvard, where he gained a reputation as one of its most visible and engaging instructors.

Stephen Jay Gould died in May, 2002.

Excerpt from the essay “The Glory of His Time and Ours” that appeared in The Lying Stones of Marrakech (2000)
In our sagas, mourning may include celebration when the hero dies, not young and unfulfilled on the battlefield, but rich in years and replete with honor. And yet for me, the passing of Joe DiMaggio has evoked a primary feeling of sadness for something precious that cannot be restored—a loss not only of the man, but also of the splendid image that he represented.

I first saw Joe DiMaggio play near the end of his career in 1950, when I was eight and Joe had his last great season, batting .301 with 32 homers and 122 RBIs. He became my hero, my model, and my mentor, all rolled up into one remarkable man. (I longed to be his replacement in center field, but a guy named Mantle came along and beat me out for the job.) DiMaggio remained my primary hero to the day of his death, and through all the vicissitudes of Ms. Monroe, Mr. Coffee, and Mrs. Robinson.

Even with my untutored child’s eyes, I could sense something supremely special about DiMaggio’s play. I didn’t even know the words or their meanings, but I grasped his gracefulness in some visceral way, and I knew that an aura of majesty surrounded all his actions. He played every aspect of baseball with a fluid beauty in minimal motion, a spare elegance that made even his swinging strikeouts look beautiful (an infrequent occurrence in his career; no other leading home run hitter has ever posted more than twice as many lifetime walks as strikeouts or, even more amazingly, nearly as many homers as whiffs—361 dingers versus 369 Ks. Compare this with his two great Yankee long-ball compatriots: 714 homers and 1330 Ks for Ruth, 536 homers and 1710 Ks for Mantle).

His stance, his home run trot, those long flyouts to the cavernous left-center space in Yankee Stadium, his apparently effortless loping run—no hot dog he—to arrive under every catchable fly ball at exactly the right place and time for an “easy” out. If the sports cliché of “poetry in motion” ever held real meaning, DiMaggio must have been the intended prototype.

* * * *

One afternoon in 1950, I sat next to my father near the third base line in Yankee Stadium. DiMaggio fouled a ball in our direction, and my father caught it. We mailed the precious relic to the great man, and sure enough, he sent it back with a signature. That ball remains my proudest possession to this day. Forty years later, during my successful treatment for a supposedly incurable cancer, I received a small square box in the mail from a friend and book publisher in San Francisco, and a golfing partner of DiMaggio. I opened the box and found another ball, signed to me by DiMaggio (at my friend’s instigation) and wishing me well in my recovery. What a thrill and privilege—to tie my beginning and middle life together through the good wishes of this great man.

Selected WorkThe Lying Stones of Marrakech (2000) Rocks of Ages: Science and Religion in the Fullness of Life (1999)Leonardo’s Mountain of Clams and the Diet of Worms (1998)Questioning the Millennium: A Rationalist’s Guide to a Precisely Arbitrary Countdown (1997) Full House: The Spread of Excellence From Plato to Darwin (1996)Eight Little Piggies (1994)Bully for Brontosaurus (1992)Wonderful Life (1991)An Urchin in the Storm (1989)Time’s Arrow, Time’s Cycle (1988)The Flamingo’s Smile (1987)Hen’s Teeth and Horse’s Toes: Further Reflections in Natural History (1984)The Mismeasure of Man (1983)The Panda’s Thumb: More Reflections in Natural History (1983)Ever Since Darwin: Reflections in Natural History (1980) interview with SJGAnnOnline SJG biography page1977 NYTimes interview with SJG 

Event Details

Benaroya Hall — S. Mark Taper Foundation Auditorium

200 University Street
Seattle, WA 98101

View directions.

Transportation & Parking

This event will be held in the S. Mark Taper Foundation Auditorium, the largest event space at Benaroya Hall. 

Benaroya Hall is located at 200 University Street, directly across Second Avenue from the Seattle Art Museum. The public entrance to Benaroya Hall is along Third Avenue.

By Car

  • From Southbound I-5
    Take the Union Street exit (#165B). Continue onto Union Street and proceed approximately five blocks to Second Avenue. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5
    Exit left onto Seneca Street (exit #165). Proceed two blocks and turn right onto Fourth Avenue. Continue two blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5 via Westbound I-90
    Take the 2C exit for I-5 North. Follow signs for Madison Street/Convention Place and merge right onto Seventh Avenue. Turn left onto Madison Street. Proceed three blocks and turn right onto Fourth Avenue. Continue four blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.

By Public Transit (Bus & Light Rail)

Benaroya Hall is served by numerous bus routes. Digital reader boards along Third Avenue display real-time bus arrival information. For details and trip planning tools, call Metro Rider Information at 206.553.3000 (voice) or 206.684.1739 (TDD), or visit Metro online. The Downtown Seattle Transit Tunnel, served by light rail, has a stop just below the Hall (University Street Station).


The 430-car underground garage at Benaroya Hall provides direct access from the enclosed parking area into the Hall via elevators leading to The Boeing Company Gallery. Enter the garage on Second Avenue, just south of Union Street. Maximum vehicle height is 6’8″. ChargePoint charging stations are available for electric vehicles. Visit the Benaroya Hall website for event pricing.

Parking is also available at:

  • The Cobb Building (enter on University Street between Third and Fourth avenues).
  • The Russell Investments Center (enter on Union Street between First and Second avenues).
  • There are many other garages within a one-block radius of Benaroya Hall, along with numerous on-street parking options.


Open Captioning is an option for people who have hearing loss, where a captioning screen displaying the words that are spoken or sung is placed on stage. This option is present at every event at Benaroya Hall in our 2021/22 Season.

Closed Captioning is an option for people who have hearing loss, where captioning displays the words that are spoken or sung at the bottom of the video during an online event. Captioning is available for all online events; click the “CC” button to view captions during the event.

Assistive Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Benaroya Hall has an infrared hearing system, which transmits sound by light beams. Headsets are available in The Boeing Company Gallery coat check and the Head Usher stations in both lobbies.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals for both in-person and online events. To make a request for interpretation, please contact us at [email protected] or 206.621.2230×10, or select “Sign Language Interpretation” from the Accessibility section during your ticket checkout process and we will contact you to confirm details. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Among other features, Benaroya Hall has designated parking spaces adjacent to elevators in their parking garage. Elevators with Braille signage go to all levels within the Hall. To reserve seating for a specific mobility concern, you may select “Wheelchair Accessible or Alternative Seating Options” during ticket checkout, and we will contact you to confirm details. For more details on their accessibility features, click here.

Guide and service dogs are welcome.

Gender neutral restrooms are available.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at [email protected], or Monday-Friday from 10:00am – 5:00pm at 206.621.2230×10.

For more accessibility information, please head to If you would like to make accessibility arrangements you do not see listed here, please contact our box office or select “Other Accommodations” from the Accessibility section during your ticket checkout process, and we will contact you to confirm details.