Laila Lalami
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Literary Arts

Laila Lalami

Past Event: Monday, May 10, 2010

At Benaroya Hall — S. Mark Taper Foundation Auditorium

Sponsored by Seattle Public Library.

Lalami’s talk is entitled “In (and Out of) Morocco”: Morocco, the American reader is often told, is a country where modernity collides with religious traditions, where tensions between feminists and conservatives remain high, where national challenges include poverty, illiteracy and corruption, but where the reform-minded king is working to keep it a “liberal beacon” in the Arab world. In the fall of 2006, Lalami moved to Casablanca to finish her novel, Secret Son. During a year in Morocco, she came to understand that the contrasts that infuse much of the writing about the country are not only incorrect, but they also serve to perpetuate a similar, larger narrative about America and the Arab world.

Most Americans know Morocco through the eyes of American writers: Paul Bowles, Tennessee Williams, William S. Burroughs. Most Moroccan authors write in Arabic or French and have not been translated. Laila Lalami grew up speaking Arabic at home and French at school; she learned English in tenth grade. She says her imagination grew in French, from reading children’s books and literature in that language: “As a child I read Jules Verne, Alexandre Dumas and Georges Bayard, and so naturally when I started writing, it was in French. While I could read and write Arabic competently enough, I found it very hard to write fictional narrative in Arabic.” While she studied English in the tenth grade and later majored in English in college, it was when she moved to Los Angeles for graduate school that she began writing in English. “I felt that there was too much of a colonial relationship with French. It’s used in Morocco to indicate social class and education level—it’s not neutral,” she said in an interview with The National. In English she feels she can step back and write about her homeland with a bit of distance, from the perspective of both an insider and an outsider.

Born in Rabat, Morocco, Lalami lived there until she was twenty-two. She went on to study in England and earned her Ph.D. in linguistics at the University of Southern California. During and after her studies she worked at a tech start-up, wrote essays and criticism for various print publications, and wrote fiction in her free time. In October 2001, she launched the blog, “to bring a Maghrebi and corrective perspective on world affairs and particularly the Islamic world to media debates in the U.S.” The writing was an outlet for her evolving thoughts about culture, literature, and politics, and over time she started signing her posts, eventually renaming the site

Always hungry for news of home, she came across an article in the online edition of Le Mondeabout 15 Moroccan immigrants who drowned in the Straits of Gibraltar during an illegal crossing to Spain. The story resonated with her, especially the decision to attempt a dangerous journey to another country in hopes of creating a new life—the last resort of people unable to make a life in their own country—and she started to imagine the characters who were on that boat—or one like it. These characters came to life in Lalami’s first collection of stories, Hope and Other Dangerous Pursuits (2005).

Lalami writes slowly—concerned with the syntax of every sentence; developing an emotional empathy for each of her characters—and her second book, a novel, was crafted carefully over the next four and half years. Secret Son (2009), the “Seattle Reads 2010” selection, is an old story told afresh. Set in modern-day Morocco, a young man from the slums, Youssef, learns that the father he thought was dead is alive and well and wealthy. In Lalami’s words, the story is set “against a background of corrupt liberalism and Islamic fundamentalism. It explores themes of identity and belonging, whether in a family, in a social group, or in a political faction.” The New York Times Book Review called it “a nuanced depiction of the roots of Islamic terrorism, written by someone who intimately knows one of the stratified societies where it grows.”

Laila Lalami lives in Los Angeles with her husband and child and teaches Creative Writing at the University of California, Riverside.

Excerpt from Secret Son (2009)Youssef swallowed. Was that all there was to his story? It was a tale of outrageous misfortune, and yet it was utterly ordinary: he had been born an illegitimate child. That was why his mother had never stayed in touch with his father’s family and why his father’s family never came looking for him. He wanted to take her by the shoulders and shake her. Why had she kept the truth from him? Who was Nabil Amrani? Was there no hope that the Amranis would want to meet him? His head was filled with questions, but he was too angry to formulate them.

He walked out of the house, delivering himself to the scorching afternoon heat. As he made his way to the Oasis café, he realized with a mix of horror and delight that he had not been the only actor in the house. All his life, his mother had played the part of the respectable, grieving widow, talking frequently about the happiness that had been cut short by a terrible accident. She had told him that his father was a good teacher, that he loved to read books, that he always helped her with chores around the house. Those were all lies. And now she had burdened Youssef with her secret, so that he, too, had to play a role.

Selected WorkBooksSecret Son (2009)Hope and Other Dangerous Pursuits (2005)Articles/Stories“It can be ‘tough’ to be a female in Morocco,” Los Angeles Times, July 19, 2009“Continental Shift,” The National, June 11, 2009 (essay/book review of Abdourahman Waberi)“The Turning Tide,” Elle, April 2008 (story)“Better Luck Tomorrow,” The Baltimore Review, March 2005 (story)LinksThe author’s websiteA review of Secret Son on An interview of Lalami on The Bat Segundo Show


Event Details

Benaroya Hall — S. Mark Taper Foundation Auditorium

200 University Street
Seattle, WA 98101

View directions.

Transportation & Parking

This event will be held in the S. Mark Taper Foundation Auditorium, the largest event space at Benaroya Hall. 

Benaroya Hall is located at 200 University Street, directly across Second Avenue from the Seattle Art Museum. The public entrance to Benaroya Hall is along Third Avenue.

By Car

  • From Southbound I-5
    Take the Union Street exit (#165B). Continue onto Union Street and proceed approximately five blocks to Second Avenue. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5
    Exit left onto Seneca Street (exit #165). Proceed two blocks and turn right onto Fourth Avenue. Continue two blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5 via Westbound I-90
    Take the 2C exit for I-5 North. Follow signs for Madison Street/Convention Place and merge right onto Seventh Avenue. Turn left onto Madison Street. Proceed three blocks and turn right onto Fourth Avenue. Continue four blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.

By Public Transit (Bus & Light Rail)

Benaroya Hall is served by numerous bus routes. Digital reader boards along Third Avenue display real-time bus arrival information. For details and trip planning tools, call Metro Rider Information at 206.553.3000 (voice) or 206.684.1739 (TDD), or visit Metro online. The Downtown Seattle Transit Tunnel, served by light rail, has a stop just below the Hall (University Street Station).


The 430-car underground garage at Benaroya Hall provides direct access from the enclosed parking area into the Hall via elevators leading to The Boeing Company Gallery. Enter the garage on Second Avenue, just south of Union Street. Maximum vehicle height is 6’8″. ChargePoint charging stations are available for electric vehicles. Visit the Benaroya Hall website for event pricing.

Parking is also available at:

  • The Cobb Building (enter on University Street between Third and Fourth avenues).
  • The Russell Investments Center (enter on Union Street between First and Second avenues).
  • There are many other garages within a one-block radius of Benaroya Hall, along with numerous on-street parking options.


Open Captioning is an option for people who have hearing loss, where a captioning screen displaying the words that are spoken or sung is placed on stage. This option is present at every event at Benaroya Hall in our 2021/22 Season.

Closed Captioning is an option for people who have hearing loss, where captioning displays the words that are spoken or sung at the bottom of the video during an online event. Captioning is available for all online events; click the “CC” button to view captions during the event.

Assistive Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Benaroya Hall has an infrared hearing system, which transmits sound by light beams. Headsets are available in The Boeing Company Gallery coat check and the Head Usher stations in both lobbies.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals for both in-person and online events. To make a request for interpretation, please contact us at [email protected] or 206.621.2230×10, or select “Sign Language Interpretation” from the Accessibility section during your ticket checkout process and we will contact you to confirm details. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Among other features, Benaroya Hall has designated parking spaces adjacent to elevators in their parking garage. Elevators with Braille signage go to all levels within the Hall. To reserve seating for a specific mobility concern, you may select “Wheelchair Accessible or Alternative Seating Options” during ticket checkout, and we will contact you to confirm details. For more details on their accessibility features, click here.

Guide and service dogs are welcome.

Gender neutral restrooms are available.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at [email protected], or Monday-Friday from 10:00am – 5:00pm at 206.621.2230×10.

For more accessibility information, please head to If you would like to make accessibility arrangements you do not see listed here, please contact our box office or select “Other Accommodations” from the Accessibility section during your ticket checkout process, and we will contact you to confirm details.