John Ridley

John Ridley

Past Event: Wednesday, November 8, 2000

At Benaroya Hall — S. Mark Taper Foundation Auditorium

Literary Arts Icon

Literary Arts

John Ridley was born and raised in Milwaukee. He moved to New York to study East Asian languages and culture at New York University before trying his hand at comedy. Part of his distinctive voice as a writer is an instinct for comedy that he developed while performing as a stand-up comic. His talent eventually led him to appearances on shows such as Late Night with David Letterman and The Tonight Show. He continued to pursue stand-up comedy after moving from New York to Los Angeles in 1991, but also started writing. He landed his first network writing job in 1993, working on the hit sitcom Martin. This led to writing for other hit shows, such as The Fresh Prince of Bel Air and Third Watch.

During this time, Ridley was also working on material that would later become his first novel, Stray Dogs (1997). Upon publication of this noir mystery, Ridley established himself as a major literary talent. The San Francisco Examiner praised, “Ridley’s brisk dialogue and gritty descriptions bring to mind the works of Raymond Chandler and Elmore Leonard. Yet Ridley has his own unique voice that is a rich addition to the genre.” The book was subsequently made into the film U-Turn, directed by Academy Award winner Oliver Stone. Ridley continued his work in film, writing and directing his first original screenplay, Cold Around the Heart. The film won Ridley the best director award at the first Urbanworld Film Festival in New York. He also wrote the critically acclaimed film Three Kings, starring George Clooney and Mark Wahlberg.

Though Ridley has attained success in television and film writing, being a novelist is where his real ambition lies. “Writing for TV is mindless factory work . . . Writing for movies is just a little better,” remarked Ridley. “Novels, on the other hand, are theater of the mind and offer an unparalleled level of freedom.” Nevertheless, movies have influenced Ridley’s writing. As a child, he accidentally tuned in to the Barbara Stanwyck classic Double Indemnity. “I didn’t know film noir,” said Ridley, “but it was great.” The film noir sensibility is certainly evident in his two other hard-boiled novels, Love Is a Racket (1998) and Everybody Smokes in Hell (1999). The Los Angeles Times wrote that “[His] writing is vivid and funny. Ridley has a sharp eye for detail and an ear for offbeat speech.” The thirty-five year old author is at work on his next novel. He lives in Los Angeles and is married to a professional gambler.

Ridley’s other screenwriting projects include the adaptation of Lorenzo Carcaterra’s Apaches; the original screenplay Formula OneBlades, a helicopter thriller; and The Seekers, a tale of bounty hunters.

Excerpt from Stray Dogs (1997)
The house was more than John had expected; big, ranch-style. Santa Fe decor in and out. It looked as much a part of the desert as cactus. Expensive cactus. It was an oasis; a place to land away from the heat, and dirt and sweat and dryness. It was cool and clean and . . . safe. Yeah, that’s what that feeling was. Safe. Here he didn’t owe anybody anything, and nobody was trying to take anything from him. Not money, not . . . His hand started to hurt again, or at least the memory of it.

Grace poured Jack a glass of lemonade, led him to the master bedroom, then disappeared somewhere into the house. Occasionally John heard a sound; something moving, a laugh . . . ? Other than that, Grace ceased to exist; gone like a wet-dream fantasy driven away by the morning light.

He let his mind get comfortable in the thought of the house again. As much as he hated what he’d seen of this patch of dirt, as much as he couldn’t stand the thought of being there just for the day, John figured he could get used to the house . . . to Grace. To Grace being in the house when he came home at night, or the middle of the day, or basically her just being there for him.

Yeah. John dug that idea. He slipped it on and walked around in it for a while. A body like that, a place like this . . . What’s not to like?

He unwrapped his bandaged hand, stripped, went into the bathroom. Turning on the shower, he stepped under it. The water was cool, and it ran streaks of clean down his dusted body. It should have relaxed him, but it only reminded him of the rain. The rain reminded him of . . . John’s mind hit rewind.

Selected WorkThree Kings (Writing credit) (1999)Everybody Smokes in Hell (1999)Love Is a Racket (1998)U-Turn (1998)Stray Dogs (1997)

LinksJohn Ridley feature on NPR’s web siteThree Kings, the movie, official site

Event Details

Benaroya Hall — S. Mark Taper Foundation Auditorium

200 University Street
Seattle, WA 98101

View directions.

Transportation & Parking

This event will be held in the S. Mark Taper Foundation Auditorium, the largest event space at Benaroya Hall. 

Benaroya Hall is located at 200 University Street, directly across Second Avenue from the Seattle Art Museum. The public entrance to Benaroya Hall is along Third Avenue.

By Car

  • From Southbound I-5
    Take the Union Street exit (#165B). Continue onto Union Street and proceed approximately five blocks to Second Avenue. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5
    Exit left onto Seneca Street (exit #165). Proceed two blocks and turn right onto Fourth Avenue. Continue two blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.
  • From Northbound I-5 via Westbound I-90
    Take the 2C exit for I-5 North. Follow signs for Madison Street/Convention Place and merge right onto Seventh Avenue. Turn left onto Madison Street. Proceed three blocks and turn right onto Fourth Avenue. Continue four blocks. Turn left onto Union Street. Continue two blocks. Turn left onto Second Avenue. The Benaroya Hall parking garage will be on your immediate left. The garage entrance is on Second Avenue, just south of Union Street.

By Public Transit (Bus & Light Rail)
Benaroya Hall is served by numerous bus routes. Digital reader boards along Third Avenue display real-time bus arrival information. For details and trip planning tools, call Metro Rider Information at 206.553.3000 (voice) or 206.684.1739 (TDD), or visit Metro online. The Downtown Seattle Transit Tunnel, served by light rail, has a stop just below the Hall (University Street Station).

The 430-car underground garage at Benaroya Hall provides direct access from the enclosed parking area into the Hall via elevators leading to The Boeing Company Gallery. Enter the garage on Second Avenue, just south of Union Street. Maximum vehicle height is 6’8″. Blink charging stations are available for electric vehicles. The event rate is $16.

Parking is also available at:

  • The Cobb Building (enter on University Street between Third and Fourth avenues).
  • The Russell Investments Center (enter on Union Street between First and Second avenues).
  • There are many other garages within a one-block radius of Benaroya Hall, along with numerous on-street parking options.


Open Captioning is an option for people who have hearing loss, where a captioning screen displaying the words that are spoken or sung is placed on stage. This option is present at every event at Benaroya Hall in our 2019/20 Season. For digital streams of online events, all pre-recorded and live online events will have either open or closed captioning.

Assistive Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Benaroya Hall has an infrared hearing system, which transmits sound by light beams. Headsets are available in The Boeing Company Gallery coat check and the Head Usher stations in both lobbies.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals. To make a request for interpretation, please contact us at or 206.621.2230×10, or select “Sign Language Interpretation” from the Accessibility section during your ticket checkout process and we will contact you to confirm details. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Among other features, Benaroya Hall has designated parking spaces adjacent to elevators in their parking garage. Elevators with Braille signage go to all levels within the Hall. To reserve seating for a specific mobility concern, you may select “Wheelchair Accessible or Alternative Seating Options” during ticket checkout, and we will contact you to confirm details. For more details on their accessibility features, click here.

Guide and service dogs are welcome.

Gender neutral restrooms are available.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at, or Monday-Friday from 10:00am – 5:00pm at 206.621.2230×10.

For more accessibility information, please head to If you would like to make accessibility arrangements you do not see listed here, please contact our box office or select “Other Accommodations” from the Accessibility section during your ticket checkout process, and we will contact you to confirm details.