I am going on record—Bluff is the best collection of the year, and the best collection Danez Smith has ever written. These are poems you are going to want to share with everyone you know, and everyone you don’t.
— Ronnie K. Stephens, The Poetry Question
A poet of exceptional linguistic exuberance, style and grace.
— Kayo Chingonyi
A writer who never loses their way.
— The New York Times
I am going on record—Bluff is the best collection of the year, and the best collection Danez Smith has ever written. These are poems you are going to want to share with everyone you know, and everyone you don’t.
— Ronnie K. Stephens, The Poetry Question
Although this event has passed, you can purchase a streaming pass to view the recording until 11:59 PM on Friday, October 4.
Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities.
Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love—those given and made—are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.
This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.
Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America’s acceptance of mass shootings. A brilliant long poem—part map, part annotation, part visual argument—offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.
Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Homie (Graywolf Press, 2020), winner of the Minnesota Book Award, the Heartland Bookseller Award, and a finalist for the National Book Critics Circle Award; Don’t Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award; and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness.
Luther Hughes (they/them) is the author of A Shiver in the Leaves (BOA Editions, 2022), listed as best books of 2022 in The New Yorker, and the chapbook, Touched (Sibling Rivalry Press, 2018), recommended by the American Library Association. They are the founder of Shade Literary Arts, an organization for queer writers of color, and cohosts The Poet Salon Podcast with Gabrielle Bates and Dujie Tahat. Recipient of the Ruth Lilly and Dorothy Rosenberg Fellowship and the 92Y Discovery Poetry Prize, they received their MFA from Washington University in St. Louis. Their writing has been published in The Paris Review, Orion, American Poetry Review, and others. They’ve been featured in The Seattle Times, Forbes, Essence, KUOW Public Radio, The Slowdown, and more. Luther lives in Seattle, where they were born and raised.
Video
Danez Smith on the impact poetry has on living in an imperfect world.
Most tickets have been emailed for this event, so be sure to check your inbox for an email from boxoffice@lectures.org. Email or call us at 206-621-2230 x10 if you can’t find them.
For in-person attendance: Your e-tickets have been emailed unless you selected “Will Call” as your ticket delivery upon checkout. Will Call tickets will be available to pick up at the SAL Box Office starting at 6 p.m. the night of your event.
For online attendance: If you purchased a streaming pass, SAL will send a pre-event reminder email with instructions to log in and access the online stream on the day of the event. The night of your event, return to lectures.org/event/danez-smith and enter the password where prompted. The program begins at 7:30 p.m. (PT) and will be available for viewing for a week after the event. If you have opted out of receiving SAL emails, you will miss this important information—please email us at boxoffice@lectures.org and we will assist you.
Seating in the Hall
For the in-person event, the lobby doors and SAL Box Office open at 6 p.m. (PT). The auditorium doors will open at approximately 6:30 p.m. (PT) for seating.
All seating is General Admission by section with the exception of Grand Patron seats, which are reserved.
Late seating is permitted at SAL events. However, your seat is not guaranteed after the program has begun.
Have a question for the speaker?
Want to ask our speaker something? We invite you to submit questions for our Q&A. Check your pre-event email for a link!
Books
Our partner bookstore, Open Books, will have books available for sale at their table in the lobby and on their website.
Patrons & Grand Patrons, Have a Drink on SAL!
Patron & Grand Patron seating includes a pre-event drink ticket! Check your pre-event email for details.
Need an exchange?
Please note: in-person tickets do not include digital access. (Curious to learn why? Check out our FAQ.) If you need to exchange your in-person ticket for a digital pass, SAL kindly asks that you please contact the box office before noon on the day of your event.
Tickets and subscriptions are non-refundable.
Transportation & Parking
Town Hall Seattle is centrally located at 1119 8th Ave, on the corner of 8th and Seneca. Their venue is served by frequent bus routes, is near access to light rail stations, and close to a number of parking options nearby. Please see their website for more details.
Accessibility
Open Captioning is an option for people who have hearing losses, where a captioning screen displaying the words that are spoken or sung is placed on stage. To make a request for open captioning, please contact us at boxoffice@lectures.org or 206.621.2230×10. Please note: for in-person events at Town Hall Seattle, we appreciate a two-week advance notice to allow us time to secure captioning services.
Closed Captioning is an option for people who have hearing loss, where captioning displays the words that are spoken or sung at the bottom of the video for online events. Captioning is available for all online events; click the “CC” button to view captions during the event.
Assistive Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). Town Hall Seattle has a hearing loop system, so you can switch your T-coil hearing aid to telecoil to have the stage’s microphones transmitted directly to your hearing aids. To pick up a headset, check in with any Town Hall usher when you arrive.
Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals. To make a request for interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10, or select “Sign Language Interpretation” from the Accessibility section during your ticket checkout process and we will contact you to confirm details. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.
Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at Town Hall Seattle, which is fully accessible to ticket holders with physical mobility concerns. Town Hall Seattle recommends that visitors use the 8th Avenue Entrance for events in the Great Hall, and elevators with Braille signage go to all levels within the Hall. The venue has all-gender, ADA-accessible restrooms on the lobby and Forum level. To reserve seating for a specific mobility concern, please contact us at boxoffice@lectures.org or 206.621.2230×10, or select “Wheelchair Accessible or Alternative Seating Options” during ticket checkout, and we will contact you to confirm details. For more details on accessibility features at Town Hall, click here.
Guide and service dogs are welcome.
All-gender restrooms are available.
We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at boxoffice@lectures.org, or Tuesday-Friday, from 12 noon–5 p.m., at 206.621.2230×10.
For more accessibility information, please head to lectures.org/accessibility. If you would like to make accessibility arrangements you do not see listed here, please contact our box office or select “Other Accommodations” from the Accessibility section during your ticket checkout process, and we will contact you to confirm details.
