Danez Smith
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Danez Smith

Past Event: Monday, November 26, 2018

At Seattle Central Community College—Broadway Performance Hall

Danez Smith is a Black, queer, poz writer and performer. Their most recent collection, Don’t Call Us Dead, was a finalist for the 2017 National Book Award.

In a 2015 interview with The Rumpus, Danez Smith said, “I create art for necessary reasons. It’s not a frivolous act to me or for the people that taught me about art-making. It’s not something that we should take lightly. Everything we write is an opportunity to speak something true or construct or deconstruct something for either the self or for people or community or another person that we love, hate, whatever.” These words resound in Smith’s work, moving effortless from page to stage as they speak deep personal and universal truths to an existence that is constantly misunderstood, scrutinized, and threatened. But even in their most seriously urgent works, Smith often finds a kind of sudden, infectious joy.

In the opening poem “summer, somewhere” from Smith’s most recent collection Don’t Call Us Dead, they write:

somewhere, a sun. below, boys brown
as rye play the dozens & ball, jump

in the air & stay there. boys become new
moons, gum-dark on all sides, beg bruise

-blue water to fly, at least tide, at least
spit back a father or two. i won’t get started.

history is what it is. it knows what it did.

As Smith imagines a euphoric place where Black boys feel safe and supported, they also hold space for the history that prevents this place from existing. As The New Yorker points out, “These poems can’t make history vanish, but they can contend against it with the force of a restorative imagination.” It is this fierce, adamant imagination that infuses the poems in this collection (and, arguably all of Smith’s work) with a “sit-up-and-listen” quality that is impossible not to obey. As the Kenyon Review says, “The result is bittersweet, but the sweetness is real, even when it’s grounded in imagination—partly because that imagination is so grounded in the reality it wants to refuse, but just as much because Smith, in fantasy and in grief, commits to giving pleasure.” Lit Hub calls the collection, “Aching and elegiac, these poems bless our world in all its ruin, beg it to be otherwise, and begin the bloody work of writing it anew.”

Smith is also the author of [insert] boy (2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry; and two chapbooks, “hands on your knees” (2013) and “black movie” (2015), winner of the Button Poetry Prize. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, Cave Canem, Voices of Our Nation (VONA), and a 2017 National Endowment for the Arts Fellowship.

Their writing has been featured widely, including features on PBS NewsHour and the Late Show with Stephen Colbert. Their work has been published in Poetry, Ploughshares, Beloit Poetry Journal, and Kinfolks. In poetry slam, Smith is a 2011 Individual World Poetry Slam finalist and the reigning two-time Rustbelt Individual Champion, and was on the 2014 championship team Sad Boy Supper Club. In 2014 they were the festival director for the Brave New Voices International Youth Poetry Slam. They are a founding member of the multi-genre, multicultural Dark Noise Collective. Smith earned a B.A. from the University of Wisconsin-Madison, where they were a First Wave Urban Arts Scholar. Smith was born in St. Paul, Minnesota.

Event Details

Seattle Central Community College—Broadway Performance Hall

1625 Broadway
Seattle, WA 98122

View directions.

Transportation & Parking

The Broadway Performance Hall is located at Seattle Central College’s main campus, in the heart of the vibrant Capitol Hill neighborhood.


Parking for visitors and event guests is available 24/7 at the Harvard Garage (1609 Harvard Ave.), which is operated by Seattle Central College. For rates, visit Seattle Central’s Public Parking & Transportation page. Metered street parking is also available in the area.

Public Transit

By bus: Metro buses 11, 49 and 60 all pass next to, or within a block of, both the Broadway Performance Hall and Erickson Theatre. Visit King County Metro Trip Planner to learn more about these and other nearby bus options.

By streetcar: Take the Broadway route to the stop at Broadway & Denny.

By light rail: The Capitol Hill Link station is located approximately one block north of the Broadway Performance Hall, and two blocks north of Erickson Theatre.


Open Captioning is an option for people who have hearing losses, where a captioning screen displaying the words that are spoken or sung is placed on stage. Please note: for events at Broadway Performance Hall, we appreciate a two-week advance notice to allow us time to secure captioning services.

Assisted Listening Devices (ALDs) are devices that people with hearing loss use in conjunction with their hearing device (hearing aids or cochlear implants). This season, Broadway Performance Hall has an FM assistive listening system, which transmits sound via radio waves. To pick up a headset, check one out at the box office on the main floor when you arrive.

Sign Language Interpretation is available upon request for Deaf, DeafBlind, and hard of hearing individuals. To make a request for ASL interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10. Please note: we appreciate a two-week advance notice to allow us time to secure interpretation.

Wheelchair Accessible Seating and Accessible Restrooms are available in all sections at our venues, and our venues are fully accessible to ticket holders with physical mobility concerns. Guide and service dogs are also welcome. Broadway Performance Hall is equipped with an elevator and has eight handicapped-accessible seats in the central section, and a ramp and handrail lead into the hall on the left side of the auditorium. For more venue details, click here.

We are pleased to offer these accessibility services at our venues, and they are provided at no additional cost to ticket holders. Please contact us with any questions and feedback about how we can be more accessible and inclusive. Our Patron Services Manager is available at boxoffice@lectures.org, or Monday-Thursday from 10:00am – 5:00pm, and Fridays from 10:00am – 1:00pm, at 206.621.2230×10.


Opus Sponsor

Charles B. & Barbara Wright