SAL/ON

A Blog of Seattle Arts & Lectures

Category: 2017/18 Season

Pathways to Writing for the Screen and Novel

By BreAnna Girdy, WITS Intern On Friday, March 30th, Laura Lippman and David Simon spoke to a crowd of over twenty students at Garfield High School as part of our Writers in the Schools program. With collective expertise in journalism, both Lippman and Simon offered a broad perspective into the writing world; they were able […]

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“Breaking Rules” by Stella Eley

Breaking Rules Do not litter unless you are in the middle of the desert and a giant army of camels with hammers is chasing you and the speed limit is at 5 percent. In this case you should go over the speed limit to at least 50 percent and you will drive away empty-handed. Do […]

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Thinking Outside the Book: Tyehimba Jess and OLIO

By Gabrielle Bates Anastacia Renée: “Do you feel free on the page?” Tyehimba Jess: “I feel opportunity.” * Seeing and hearing Tyehimba Jess read from his Pulitzer-Prize winning collection Olio at SAL two weeks ago has me rethinking every parameter and practice I’ve ever accepted as fixed. The expansive, acrobatic, mechanical wonder of Jess’s syncopated […]

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“Fear,” by Maxwell Smith

Fear When I was little, I was scared of fire. When it lit up, my face looked like a ghost, and my heart sounded like waves crashing on a beach. But now, I when I get scared, I become the thunderstorm. When I become the thunderstorm, my heart will look like courage ready to strike […]

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Introductions: Colson Whitehead

On February 15 at Benaroya Hall, Colson Whitehead—the Pulitzer Prize-winner with a taste for the fantastical—delivered a talk on his latest, The Underground Railroad. SAL Executive Director Ruth Dickey introduced Colson for this 2017/18 Literary Arts Series event, which included a Q&A with Seattle writer Stephanie Stokes Oliver. By Ruth Dickey, SAL Executive Director In Sag Harbor, […]

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WITS Voices: Revision—To See Again

By Katy Ellis, WITS Writer-in-Residence I have to admit revision has never been my strong point as a writer. Only in the last ten years have I truly grasped the fact that my second (or third or fourth or tenth) draft better says what I wanted to say in the first place. Now, I actually […]

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Tyehimba Jess and the Voice of the Interior

Seattle poet and educator Quenton Baker, whose work focuses on anti-blackness and the afterlife of slavery, writes below on Tyehimba Jess’s Pulitzer Prize-winning collection Olio. Jess’s work weaves sonnet, song, and narrative to examine the lives of African American musicians from the Civil War era on, in an effort to understand how these performers met, resisted, and […]

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Three Poems by Theo Hadley

Pierre We realize perhaps we’ve been playing the waltz too slowly. We continue rapping our knuckles against the walls. Half of us learn how to dance, the rest of us learn how to cuff our jeans. Pierre has a bad day. He climbs the stairs and says No, Really too many times and then he […]

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Introductions: Gregory Orr

On February 7 at McCaw Hall, Gregory Orr—master of the personal lyric poem, and one of our greatest advocates for how the reading and writing of poetry can help us heal and live more fully—read from his three collections: Concerning the Book that Is the Body of the Beloved, How Beautiful the Beloved, and River Inside the River. SAL […]

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