A Blog of Seattle Arts & Lectures
By Gabrielle Bates Anastacia Renée: “Do you feel free on the page?” Tyehimba Jess: “I feel opportunity.” * Seeing and hearing Tyehimba Jess read from his Pulitzer-Prize winning collection Oli...
By Evelin Garcia, WITS Writer-in-Residence The following poem made me reflect on the fact that if I did not take the challenge of teaching poetry with WITS, someone else would do it, and that although...
From my mind to my heart: a message to me One of those late night conversations and I found me The real me Age eighteen I understand now Took the time to look back And I thought Wow Childhood It was a...
Fear When I was little, I was scared of fire. When it lit up, my face looked like a ghost, and my heart sounded like waves crashing on a beach. But now, I when I get scared, I become the thunderstorm.
On February 15 at Benaroya Hall, Colson Whitehead—the Pulitzer Prize-winner with a taste for the fantastical—delivered a talk on his latest, The Underground Railroad. SAL Executive Director Ruth...
Many of us awoke to the sad news this morning that beloved poet Lucie Brock-Broido has passed away. Brock-Broido, the Director of Poetry and a professor in the School of the Arts at Columbia, once sai...
By Katy Ellis, WITS Writer-in-Residence I have to admit revision has never been my strong point as a writer. Only in the last ten years have I truly grasped the fact that my second (or third or fourth...
Seattle poet and educator Quenton Baker, whose work focuses on anti-blackness and the afterlife of slavery, writes below on Tyehimba Jess’s Pulitzer Prize-winning collection Olio. Jess’s ...
By Peter Mountford, WITS Writer-in-Residence I have now entered my tenth year of teaching WITS, and I’m taking a look back. Specifically to my first residency at the TOPS school with teacher Lori Ei...
Pierre We realize perhaps we’ve been playing the waltz too slowly. We continue rapping our knuckles against the walls. Half of us learn how to dance, the rest of us learn how to cuff our jeans. Pier...