“I am a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.” —Jesmyn Ward
“[Ward] chronicles our American story in language that is raw, beautiful and dangerous… [Her] singular voice and her full embrace of her anger and sorrow set this work apart from those that have trodden similar ground.” —The New York Times Book Review
“Ward is one of those rare writers who’s traveled across America’s deepening class rift with her sense of truth intact.” —The Los Angeles Times
Jesmyn Ward has been called “fearless and toughly lyrical” by the Library Journal. Her novel Salvage the Bones, the story of four motherless children trying to protect their home in the wake of Hurricane Katrina, won the 2011 National Book Award for Fiction. Her unflinching portrayals of young black men and women struggling to thrive in a South ravaged by poverty and natural disaster have been praised for their “graphic clarity” by the Boston Globe, and for their “hugeness of heart” by O, The Oprah Magazine.
Ward’s follow-up to Salvage was Men We Reaped, a memoir that confronts the five years of Ward’s life in which she lost five young men—to drugs, accidents, suicide, and the bad luck that follows people who live in poverty, particularly black men. Lauded by Kirkus as a “modern rejoinder to Black Like Me [and] Beloved,” Men We Reaped is a homage to Ward’s past, her ghosts, and the haunted yet hopeful place she still calls home. A finalist for the National Book Critics Circle Award for Autobiography, it was named one of the Best Books of 2013 by Publishers Weekly, the New York Times, the Chicago Tribune, NPR, Kirkus, New York Magazine, and TIME magazine.
Ward is also the editor of the critically acclaimed anthology The Fire This Time: A New Generation Speaks about Race, which NPR listed as one of the Best Books of 2016. Taking James Baldwin’s 1963 pivotal examination of race in America, The Fire Next Time, is a jumping-off point. The groundbreaking collection features essays and poems about race from the most important voices of Ward’s generation and our time—from Edwidge Danticat, Natasha Trethewey, and Isabel Wilkerson, to Mitchell S. Jackson, Kiese Laymon, and Claudia Rankine.
In the forthcoming Sing, Unburied, Sing, Ward will return to Mississippi and the themes of her earlier work. Confronting the realities of life in the rural South, Ward gives us a road map through Mississippi’s past and present that explores the bonds of family as tested by racism and poverty. Her work is all set on the Gulf Coast of Mississippi where Ward grew up, and each new publication makes her a fitting heir to the rich literary tradition of the American South.
Jesmyn Ward received her MFA in Creative Writing from the University of Michigan, where she won five Hopwood Awards for her fiction, essays and drama. She held a Stegner Fellowship at Stanford University from 2008-2010, and served as the Grisham Writer in Residence at the University of Mississippi during the following year. Ward currently teaches creative writing at Tulane University in New Orleans. In addition to the National Book Award, Salvage the Bones won the American Library Association’s Alex Award. Ward received the Virginia Commonwealth University Cabell First Novelist Award for Where the Line Bleeds, which was also a finalist for the Hurston/Wright Legacy Award. Where the Line Bleeds was also an Essence Magazine Book Club Selection, and was honored by the Black Caucus of the American Library Association.
Where the Line Bleeds (2008)
Salvage the Bones (2011)
Men We Reaped (2013)
The Fire This Time (2016)
Sing, Unburied, Sing (forthcoming September, 2017)