Richard Kenney

Richard Kenney

Thursday, October 17, 2019 7:30 pm

At Seattle Central Community College—Broadway Performance Hall

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Richard Kenney, a Pacific Northwest poet, is known for his formally ambitious poetry, which employs intricate and playful verse to comment on science, politics, love, and language. His latest book of poems, Terminator (2019), is his first in ten years.

Kenney is the Grace M. Pollock Professor of Creative Writing at the University of Washington, where he teaches in the Undergraduate and the MFA programs. In his time at the university, he has founded and directed English programs in Rome, Italy and Friday Harbor, WA, at the UW marine laboratories. His poems—armed with the science of verse—dive into evolutionary and cognitive sciences, the origin of languages, magic, riddles, jokes, and charms. He is celebrated for his adept rhymes, his wit, and his profound commitment to craft.

Born in 1948 in Glens Falls, New York, Kenney earned a BA from Dartmouth College. His first collection of poetry, The Evolution of the Flightless Bird (1984), was awarded the Yale Younger Poets Prize. The book was heralded for its formal ambitiousness, including its extended sonnet sequence. James Merrill, in the book’s forward, wrote that “with its agreeable eddies of temperament, reflections that braid and shatter only to recompose downstream, this book moves like a river in a country of ponds.”

Orrery (1985), Kenney’s sophomore collection, derived its title from a curious eighteenth-century device used to display the movements of the solar system and features sonnets devoted to physics, memory, and time, as well as a sequence set on an apple cider farm in present-day Vermont. Two more collections followed, The Invention of the Zero (1993), which composed poems with strands of language from nuclear physics, paleontology, geology, and astronomy, and The One-Strand River (2008). Todd Marshall for the Iowa Review, wrote that The One-Strand River “feels and reads like a book of poems—tradition and the sense of a life lived in our world are touchstone throughout. And yet, frequently, the diction, the syntactical gymnastics, the sheer original limberness with language demand that we tune in, pay attention.”

Terminator: Poems 2008-2018 (October 2019), Kenney’s forthcoming collection from Knopf, takes the terminator—the line, perpendicular to the equator, that divides night from day—as the organizing concept of its poems.

Kenney’s work has appeared in Poetry, The New Yorker, Atlantic Monthly, Poetry Northwest, and The American Scholar. He has received numerous awards, including Yale Series of Younger Poets Prize for The Evolution of the Flightless Bird, the John Simon Guggenheim Memorial Foundation fellowship, the John D. and Catherine T. MacArthur Foundation fellowship, the Lannan Literary Award, and the Bogliasco Foundation fellowship.

Kenney lives with his family in Port Townsend, Washington.

Event Details

Seattle Central Community College—Broadway Performance Hall

1625 Broadway
Seattle, WA 98122

View directions.

Transportation & Parking

The Broadway Performance Hall is located at Seattle Central College’s main campus, in the heart of the vibrant Capitol Hill neighborhood.

Parking

Parking for visitors and event guests is available 24/7 at the Harvard Garage (1609 Harvard Ave.), which is operated by Seattle Central College. For rates, visit Seattle Central’s Public Parking & Transportation page. Metered street parking is also available in the area.

Public Transit

By bus: Metro buses 11, 49 and 60 all pass next to, or within a block of, both the Broadway Performance Hall and Erickson Theatre. Visit King County Metro Trip Planner to learn more about these and other nearby bus options.

By streetcar: Take the Broadway route to the stop at Broadway & Denny.

By light rail: The Capitol Hill Link station is located approximately one block north of the Broadway Performance Hall, and two blocks north of Erickson Theatre.

Accessibility

SAL is for everyone. We want all audience members to be able to experience our lectures and readings regardless of accessibility concerns. Accessibility services at our venues are provided at no cost to ticket holders. If you find you need to sit closer to the stage to accommodate your needs but find the cost of a Patron ticket prohibitive, then please contact us—we will seat you where you need to be, regardless of cost.

Open Captioning occurs at every event that takes place at Benaroya Hall. It is also always available upon request for all events in our other halls, with a two-week minimum notice. To make a request for Open Captioning services, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Assisted Listening Devices, including Hearing Loop Assisted Listening Systems, are available at all of our venues, with the exception of Broadway Performance Hall. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

ASL-Interpretated Events are always available upon request, with a two-week minimum notice. To make a request for ASL interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Wheelchair Accessible Ticketing is available in all sections at our venues, and and our venues are fully accessible to ticket holders with physical mobility concerns. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

For any further questions or requests, or to offer Seattle Arts & Lectures feedback on how we can be more accessible and inclusive, please reach out to our Patron Services Manager at boxoffice@lectures.org or 206.621.2230×10.

Sponsors

Poetry Series Sponsor
Charles & Barbara Wright