Paisley Rekdal

Emily London

Paisley Rekdal

Thursday, February 6, 2020 7:30 pm

At Seattle Central Community College—Broadway Performance Hall

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Poetry

Paisley Rekdal is a Seattle-born poet whose latest work radically rewrites and contemporizes many of the myths central to Ovid’s epic, The Metamorphoses, examining personal transformation with intensity and a lyric sensibility.

Paisley Rekdal is the author of six poetry collections: A Crash of Rhinos (2000), Six Girls Without Pants (2002), The Invention of the Kaleidoscope (2007), Animal Eye (2013), Imaginary Vessels (2016), and her latest, Nightingale (2019). Retelling the myths of Ovid, Nightingale meditates on change and trauma. A starred review from Publishers Weekly praises: “Rekdal’s [work] is relentlessly heartbreaking and intense, but also full of the pleasures of closely observed detail and imagination given free rein.”

Rekdal is also the author of a collection of cross-genre essays, The Night My Mother Met Bruce Lee (2000), the hybrid photo-text memoir, Intimate (2011), and the book-length essay, The Broken Country (2016). As the family-member of surviving war veterans, her work frequently turns towards the subject of inherited trauma and the intergenerational legacy of war. Appropriate: A Provocation, a book-length essay examining cultural appropriation, is forthcoming from W.W. Norton. Her work has additionally appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, and several volumes of the Best American Poetry series.

Rekdal is the only daughter of a Chinese American mother and Norwegian father. She grew up in what she calls “pre-yuppie, stoner Seattle” and earned a BA from the University of Washington. Next, she received a MA from the University of Toronto Centre for Medieval Studies, and an MFA from the University of Michigan, Ann Arbor.

She is the recipient of numerous prizes and fellowships, including a Guggenheim Fellowship, a Fulbright Fellowship to South Korea, National Endowment of the Arts Fellowship, two Pushcart Prizes (2009, 2013), a Village Voice Writers on the Verge Award, Narrative’s Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards.

Rekdal currently teaches at the University of Utah, where she resides, and she was named the Poet Laureate of Utah in 2017. There, she is the creator and editor of the community web project Mapping Salt Lake City, a community-created archive of Salt Lake City’s neighborhoods and people that documents the city’s changes through art, critical and creative literature, personal maps, and multi-media projects. In April 2019, Rekdal won a $100,000 grant from the Academy of American Poets Laureate Fellowship to continue her work with this project.

Event Details

Seattle Central Community College—Broadway Performance Hall

1625 Broadway
Seattle, WA 98122

View directions.

Know Before You Go

  • The format of this event is a reading by Paisley Rekdal, followed by a 15-minute Q&A.

Transportation & Parking

The Broadway Performance Hall is located at Seattle Central College’s main campus, in the heart of the vibrant Capitol Hill neighborhood.

Parking

Parking for visitors and event guests is available 24/7 at the Harvard Garage (1609 Harvard Ave.), which is operated by Seattle Central College. For rates, visit Seattle Central’s Public Parking & Transportation page. Metered street parking is also available in the area.

Public Transit

By bus: Metro buses 11, 49 and 60 all pass next to, or within a block of, both the Broadway Performance Hall and Erickson Theatre. Visit King County Metro Trip Planner to learn more about these and other nearby bus options.

By streetcar: Take the Broadway route to the stop at Broadway & Denny.

By light rail: The Capitol Hill Link station is located approximately one block north of the Broadway Performance Hall, and two blocks north of Erickson Theatre.

Accessibility

SAL is for everyone. We want all audience members to be able to experience our lectures and readings regardless of accessibility concerns. Accessibility services at our venues are provided at no cost to ticket holders. If you find you need to sit closer to the stage to accommodate your needs but find the cost of a Patron ticket prohibitive, then please contact us—we will seat you where you need to be, regardless of cost.

Open Captioning occurs at every event that takes place at Benaroya Hall. It is also always available upon request for all events in our other halls, with a two-week minimum notice. To make a request for Open Captioning services, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Assisted Listening Devices, including Hearing Loop Assisted Listening Systems, are available at all of our venues, with the exception of Broadway Performance Hall. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

ASL-Interpretated Events are always available upon request, with a two-week minimum notice. To make a request for ASL interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Wheelchair Accessible Ticketing is available in all sections at our venues, and and our venues are fully accessible to ticket holders with physical mobility concerns. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

For any further questions or requests, or to offer Seattle Arts & Lectures feedback on how we can be more accessible and inclusive, please reach out to our Patron Services Manager at boxoffice@lectures.org or 206.621.2230×10.