By BreAnna Girdy, WITS Intern On Friday, March 30th, Laura Lippman and David Simon spoke to a crowd of over twenty students at Garfield High School as part of our Writers in the Schools program. With ...
Breaking Rules Do not litter unless you are in the middle of the desert and a giant army of camels with hammers is chasing you and the speed limit is at 5 percent. In this case you should go over the ...
By Gabrielle Bates Anastacia Renée: “Do you feel free on the page?” Tyehimba Jess: “I feel opportunity.” * Seeing and hearing Tyehimba Jess read from his Pulitzer-Prize winning collection Oli...
From my mind to my heart: a message to me One of those late night conversations and I found me The real me Age eighteen I understand now Took the time to look back And I thought Wow Childhood It was a...
Fear When I was little, I was scared of fire. When it lit up, my face looked like a ghost, and my heart sounded like waves crashing on a beach. But now, I when I get scared, I become the thunderstorm.
On February 15 at Benaroya Hall, Colson Whitehead—the Pulitzer Prize-winner with a taste for the fantastical—delivered a talk on his latest, The Underground Railroad. SAL Executive Director Ruth...
By Katy Ellis, WITS Writer-in-Residence I have to admit revision has never been my strong point as a writer. Only in the last ten years have I truly grasped the fact that my second (or third or fourth...
Seattle poet and educator Quenton Baker, whose work focuses on anti-blackness and the afterlife of slavery, writes below on Tyehimba Jess’s Pulitzer Prize-winning collection Olio. Jess’s ...
Pierre We realize perhaps we’ve been playing the waltz too slowly. We continue rapping our knuckles against the walls. Half of us learn how to dance, the rest of us learn how to cuff our jeans. Pier...
On February 7 at McCaw Hall, Gregory Orr—master of the personal lyric poem, and one of our greatest advocates for how the reading and writing of poetry can help us heal and live more fully—read f...
