Mary Ruefle

Matt Valentine

Mary Ruefle

Thursday, November 21, 2019 7:30 pm

At Seattle Central Community College—Broadway Performance Hall

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Poetry

Known for her light-handed concision, her strange imagination, and her ability to transform the ordinary into the extraordinary, Wave poet and essayist Mary Ruefle has published over ten collections of poetry, including the highly anticipated Dunce (2019).

Caitlin Youngquist, for The Paris Review, observes the koan-like quality of Mary Ruefle’s poetry and prose, noting how the author “muses on ordinary things like keys or clouds, yellow scarves or golf pencils, until those descriptions unfurl and beget larger, existential meditations on sadness and boredom, on language and lullabies and autonomy in old age.”

Ruefle has written numerous books of poetry, which all play with this existential strangeness, and straddle the line between the dark and the comic. Her debut collection of prose, The Most Of It, appeared in 2008, and her stunning collection of lectures, Madness, Rack, and Honey, was published in August 2012—over the course of fifteen years, Ruefle delivered a lecture every six months to a group of poetry graduate students, and this culminating work became a finalist for the 2012 National Book Critics Circle Award.

A Little White Shadow (2006), her book of erasures—found texts in which all but a few words have been erased from the page—is a practice that reveals what Publishers Weekly, in a starred review, called “haiku-like minifables, sideways aphorisms, and hauntingly perplexing koans.” Erasure is a regular practice for Ruefle, who has said in an interview with Front Porch Journal, “Erasures make me happier than anything in the world. I’d rather talk about them than poetry any day.”

Ruefle released My Private Property in 2018. Comprised of short prose pieces, My Private Property “recalls fables, in that contained narratives and simple premises turn to reveal something of the human predicament. But far from offering moral instruction, Ruefle tunes into an unsettling and enlivening strangeness” (Publishers Weekly).

Wave Books, the publisher of Ruefle’s forthcoming collection, describes her latest work as such: “In Dunce Mary Ruefle returns to the poetic practice that has always been at her core. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, always deep with mysteries, unexpected appearances, and abiding yearning.”

Ruefle has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation, as well as a Whiting Writers’ Award and an Award in Literature from the American Academy of Arts and Letters. Her work has been anthologized in Best American PoetryGreat American Prose Poems (2003), American Alphabets: 25 Contemporary Poets (2006), and The Next American Essay (2002).

Ruefle was born outside Pittsburgh, but she spent her youth moving around the United States and Europe with her military family. She received a B.A. in Literature from Bennington College and has taught at Vermont College of Fine Arts and the University of Iowa Writers’ Workshop. She lives in Vermont.

Event Details

Seattle Central Community College—Broadway Performance Hall

1625 Broadway
Seattle, WA 98122

View directions.

Know Before You Go

  • The format for this event is a reading by Mary Ruefle, followed by a 15-minute Q&A.

Transportation & Parking

The Broadway Performance Hall is located at Seattle Central College’s main campus, in the heart of the vibrant Capitol Hill neighborhood.

Parking

Parking for visitors and event guests is available 24/7 at the Harvard Garage (1609 Harvard Ave.), which is operated by Seattle Central College. For rates, visit Seattle Central’s Public Parking & Transportation page. Metered street parking is also available in the area.

Public Transit

By bus: Metro buses 11, 49 and 60 all pass next to, or within a block of, both the Broadway Performance Hall and Erickson Theatre. Visit King County Metro Trip Planner to learn more about these and other nearby bus options.

By streetcar: Take the Broadway route to the stop at Broadway & Denny.

By light rail: The Capitol Hill Link station is located approximately one block north of the Broadway Performance Hall, and two blocks north of Erickson Theatre.

Accessibility

SAL is for everyone. We want all audience members to be able to experience our lectures and readings regardless of accessibility concerns. Accessibility services at our venues are provided at no cost to ticket holders. If you find you need to sit closer to the stage to accommodate your needs but find the cost of a Patron ticket prohibitive, then please contact us—we will seat you where you need to be, regardless of cost.

Open Captioning occurs at every event that takes place at Benaroya Hall. It is also always available upon request for all events in our other halls, with a two-week minimum notice. To make a request for Open Captioning services, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Assisted Listening Devices, including Hearing Loop Assisted Listening Systems, are available at all of our venues, with the exception of Broadway Performance Hall. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

ASL-Interpretated Events are always available upon request, with a two-week minimum notice. To make a request for ASL interpretation, please contact us at boxoffice@lectures.org or 206.621.2230×10.

Wheelchair Accessible Ticketing is available in all sections at our venues, and and our venues are fully accessible to ticket holders with physical mobility concerns. If you would like more information, please contact us at boxoffice@lectures.org or 206.621.2230×10.

For any further questions or requests, or to offer Seattle Arts & Lectures feedback on how we can be more accessible and inclusive, please reach out to our Patron Services Manager at boxoffice@lectures.org or 206.621.2230×10.

Sponsors

Poetry Series Sponsor
Charles & Barbara Wright